Written by Jake Goodall

There are shows that simply entertain, shows that provoke, and then there are productions like What the Perimenopause: A Musical Cabaret, which effortlessly do both, while sparking a conversation many audiences didn’t realise they needed. Presented last weekend as part of the Anywhere Festival, this cheeky yet heartfelt cabaret delivered a bold blend of comedy, candour, and razor-sharp musicality in the impeccable Mirrorball Ministries (a truly stunning venue) that couldn’t have suited the performance more perfectly.

As the show’s own blurb proclaims: “Join the fierce and fabulous Delilah Rose and her all‑female band as they navigate the chaos of perimenopause with humour, heart, and unapologetic swagger. They’re sweaty, sexy, and refusing to fade quietly. Menopause may be coming for them — but they’re coming right back.” This promise was not only met but gleefully exceeded.

Leading the charge was Delilah Rose, whose magnetic stage presence had the audience leaning in, hanging on every moment. Rose moved seamlessly between powerhouse vocals, original numbers, and cleverly chosen covers, all underscored by sharp comedic timing and genuine emotional connection. Her performance anchored the entire production. A particular highlight was her portrayal of Aunt Deirdrie, whose occasional “forgotten” lines only added to the character’s chaotic charm and drew some of the night’s biggest laughs.

Supporting Rose was a troupe of fabulous and highly committed performers. Ali Crane shone as the hilariously over-the-top news reporter Havana Breakdown, while also delivering some of the strongest vocal moments of the evening. Daniela Gjocaj impressed as both a skilled interpretive dancer and in the role of Avery Dryvag, continuing the production’s delightfully cheeky naming trend.

The standout actor of the ensemble, however, was Rose Parker as Estra Gene, a brilliantly conceived weather reporter with impeccable comic timing and a knack for landing every punchline with precision. Rounding out the cast was Lauren Spencer as Operator, the voice behind the “Perimenopause Hotline," a recurring gag that proved as relatable as it was hilarious. Spencer, also the production’s writer, deserves particular praise for crafting a script that balances laugh-out-loud humour with moments of grounded truth, weaving in genuine insight alongside the absurdity.

The band—Susan Kennett, Maree Taylor, and Sooz Rowlings—provided the musical backbone of the show, keeping everything anchored with polished, expressive musicianship. Their playing created a rich soundscape that perfectly supported Rose and the vocalists without ever overwhelming the intimate cabaret setting.

Overall, What the Perimenopause: A Musical Cabaret is a triumphant night at the theatre, funny, fearless, and unexpectedly moving. It’s the kind of production that feels perfectly at home in the Anywhere Festival while also hinting at something bigger. Don’t be surprised if this show finds itself on an even larger stage—QPAC wouldn’t be out of the question.

Review by Katrina Couzens of What the Perimenopause! presented by Delilah Rose and the All Stars